By Guido Rosso, Brian Monnone, Michael Kemper
* The publication will help the hot model of Flash, published afterward this 12 months.
* this can be the one up to date e-book out there that covers Flash Interface layout during this intensity.
* It contains whole instance websites, to teach the reader what could be accomplished with Flash images by myself.
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Additional resources for AdvancED flash interface design
Yet another layer of significance that color contributes to is that of spirituality. From the dawn of civilization through the ages, colors have been ingrained into our belief systems. Colors carry meaning beyond what can be verbally expressed, and as designers, we create, mix, and bend them to communicate more effectively. As interface designers, we have a greater challenge: to harness the power of color not only to enhance our work’s visual appeal, but also to make interfaces easier for our audience to use.
They can grow with you, as you become a more advanced interface designer. qxd 4/7/06 4:26 PM Page 33 Chapter 3 INTERFACE DESIGNERS’ GUIDE TO COLOR By Michael Kemper One of the most challenging aspects of interface design is utilizing colors to their fullest potential. As interface designers, we seem to have limitless color options at our disposal during our design process, unlike with print design, where the amount of color a designer uses directly impacts the cost of a project. So why is it still so challenging?
This mixture creates a soothing color harmony. Figure 3-13. qxd 4/7/06 4:26 PM Page 38 CHAPTER 3 Complementary A complementary scheme consists of hues on opposite sides of the color wheel from each other (see Figure 3-14). Two sets of complementary colors is called a double complementary. A split complementary is a hue and two colors adjacent to its complementary. Complementary harmony creates contrast and has a tendency to grab the viewer’s attention. Figure 3-14. ) Split complement A split complementary is a hue and two colors adjacent to its complementary.
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